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The list of cool digital photography techniques and tutorials is endless, you can even find 10 completley different methods to achieve the same effect. Which is the best? It really depends on the photographer and there level of expertise. In this post we have listed our own personal favorites photography techniques with tips tutorials to help you recreate the effect. You will find tecniques for the currently in vogue HDR, Tilt-Shifting and Lomography to the less common and diverse Sabatier and Escher effects. Which ever effect you use, your images are going to look cool and unique.

Infrared Photography

Infrared Photography »
What is the Infrared Spectrum? Well, take a good look around you and you’ll see and endless diversity of hues in all the colors of the rainbow: The grass is green, the sky is blue, the roses are red and the future is bright. Now imagine that on top of all the colors you can see, there are other ranges that are normally invisible to us, colors that for us don’t exist but they’re out there and for some animals they are a part of everyday life. This is the Infra-Red (IR) spectrum and in this article you will learn how to photograph it effectively.

High Speed Photography

High Speed Photography »
High Speed Photography is used in physics, health research, sports and more. This article describes how to capture super fast movements using ordinary camera gear and a little home made electronics.

Lomo Photography

Tilt Shifting Photography

Tilt Shifting Photography »
This Photoshop tutorial will teach you about simulating the tilt-shift lens effect that is used mostly in photography. The goal of this technique is to achieve a really unique feel to the image as everything is miniatured or modeled. A method that tricks the eye in a good way since the image is very pleasant to the eye and give the photo a real kick to the upper level photography.

HDR Photography

HDR Photography »
This is a detailed guide about taking photos for an HDR image. Practice has shown that successful and smooth HDR photography takes careful planning and sets certain requirements for the gear. Some might feel that HDR photography is complicated and time consuming. However, if you have the right camera, the hardest part is setting up a tripod and the rest is simple and fast.

Cinematic Portrait Effect

Cinematic Portrait Effect »
In this photography and Photoshop tutorial you will learn how to add drama or a cinematic quality to a regular, humdrum and boring portrait using a little bit of fake HDR. That way if you work on a project that requires a stunning shot without the stunning photography, you’ll be able to post-produce something phenomenal.

Coloring a Black and White Image

Coloring a Black and White Image »
Adding color to a black and white photography allows you to highlight previously unnoticed features, emphasize details and bringing a bland image to life.

Diorama Illusion Effect

Diorama Illusion Effect »
Have you ever built a diorama? It’s a depiction of a scene in miniature. Or perhaps you remember owning a dollhouse or train set as a kid. You lay on the floor, inches away from tiny versions of full-size objects. In the background, your brain was busy writing the software that makes this illusion effective. This fun and cool photo treatment can be performed by almost anyone.

Exposure Blending Tutorial

Exposure Blending Tutorial »
This tutorial will walk you through the basics of creating the same look of the HDR (High Dynamic Range) version of the mailbox in the photo to the left . All you need is camera and photo editing software that supports layer masking (you can follow the steps in Photoshop, Paint Shop Pro, and The GIMP, among others).

Little Planets Using Your Panoramas

Little Planets Using Your Panoramas »
Wee Planets, Tiny Planets or the Polar Panorama effect, whatever name you prefer, is the technique of taking a 360° panorama image and using Photoshop (or any other decent image editor) and creating a circular or round image that wrap the panorama around to make it appear like a tiny/wee planet.

Turn Daylight into Night

Turn Daylight into Night »
This tutorial will show you how to take a low quality, lifeless and dull shot and turn it into a vivid night shot, with street lamp lightening. You will see how you can take the most terrible, blurred and lifeless pixelated shot and turn into a professional photo with unique effects.

Cross Processing

Cross Processing »
Cross-processing is developing color print or slide film in the wrong chemicals — for example, color negative film in slide chemicals (“C-41 as E-6″) or slide film by the color negative process (“E-6 as C-41″). Not surprisingly, this causes wild color and contrast shifts and requires lots of trial and error.
With many possible permutations of film stock and processing technique, there is no single, identifiable, cross-processed appearance. The most common combination is C-41 as E-6, in which slide chemistry is used to process color negative film, and it’s a quick job to imitate it in Photoshop.

Gritty Effect

Gritty Effect »
In this tutorial you’ll be shown how to add a dramatic, gritty, bronzed effect to your images using Photoshop.

Movie-Like Effect

Movie-Like Effect »
You will learn how to give any image a glossy movie-like effect using photoshop, you will learn how to effectively use colour mood adjustments, the depth of field effect and a simple, yet impressive film effect.

Vintage Effect

Dynamic Lighting Effect »

Colouring A Black And White Photo

Colouring A Black And White Photo »
You can hand colour a black and white photograph in Photoshop in a number of ways. In this tutorial, you’ll learn how to add colour by making selections and using adjustment layers. THIS EFFECT DOES NOT LOOK NATURAL! It will not look like a colour photograph, but is great for a retro look and can be good fun on old pictures.

Escher’s Droste Effect

Escher’s Droste Effect »
The “Droste effect” derives from a Dutch chocolate maker that used an image of its box on the box recursively at smaller and smaller scales. With this tutorial you can recreate this effect with relative ease, using After Effects and Photoshop CS4.

Sabatier Effect

Sabatier Effect »
True solarization (sometimes referred to as classic or reversal solarization) is the reversal of a portion of photographic image resulting from prolonged exposure to an extremely bright light. This article describes in detail the process of solarizeing prints, and how to control the variables to effectively achieve the effect.

Manipulated Smoke Effect

Manipulated Smoke Effect »
Learn to apply the Warp Tool effectively and a few other tricks to make smoke look like a skull. This technique has a variety of outcomes and works well with water, clouds and a whole bunch of other stuff.

Macro Photography Tips

Macro Photography Tips »
Much has been written on the topic of Macro photography for those photographers fortunate enough to own a DSLR with macro lenses – but what about if you own a compact point and shoot camera? Can you get great macro shots too? Of course you can…to a point. In this article, the author gives you great tips and tecniques on how to Macro photograph using a point and shoot camera.

Photographing Car Light Trails

Photographing Car Light Trails »
The key to photographing car light trails is choosing a good composition and capturing plenty of trails. The great news is that they can be very easy to shoot, and you can produce some amazing images with even the most basic of equipment.

Photograph Water Drops

Photograph Water Drops »
Water droplet photography is very easy to get started with, and you can get as complex as you want. There are three tricks to making beautiful, time-scultped water pictures with a single small flash: Light placement, timing and flash duration.

Two Tone Silhouette Effect

Sunset Light to Light Portraits Effect

Sunset Light to Light Portraits Effect »
Sunset is arguably the most beautiful time of day for portrait light. But you don’t want to simply take your subject outside and start shooting. Take a few moments to identify “how” to use your light and your portraits will be dreamy. In this article the author gives you three method so that you can use the light by setting your subject in relationship to the setting sun.

Indie Movie Effect

Indie Movie Effect »
In this Photoshop tutorial you will be shown how to take an ordinary photo, and make it look like it’s a still from a movie.

Painting with Light

Painting with Light »
Painting with light is a fascinating photography technique where you illuminate areas of a long exposure shot with a light source to create some stunning effects. There are two main types – the first is where you shine a torch on large areas of a scene to illuminate them individually, and the second is where you use a small bulb to create interesting streaks of light.

How to Do Light Painting Photography Like a Pro

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Cheers,
Swee Shiong
SG-East Photography

How to Do Trick Photography Like a Pro

To Learn more on Trick Photography and Special Effects,
Join my mailing list at: www.blog.sgeastphoto.com
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Cheers,
Swee Shiong
SG-East Photography

How to Do Special Effects Photography Like a Pro

How to Do Long Exposure Photography Like a Pro

Learn Trick Photography and Special Effects

Bokeh Photography Tutorial

How to Photograph Fireworks Displays by Darren Rowse

 

 

Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.
I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.

My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.

Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With 4 July just around the corner I thought I’d share a few fireworks digital photography tips:

1. Use a Tripod

Perhaps the most important tip is to secure your digital camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod (read our series on tripods and how to use and buy them). Alternatively – keep in mind that there are other non Tripod options for beating camera shake.

2. Remote Release

One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss (read more on remote shutter releases).

3. Framing Your Shot

One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.

• Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).
• Watch your Horizons - One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Keeping horizons straight is something we covered previously on this site and is important in fireworks shots also. As you get your camera on your tripod make sure it’s level right from the time you set up.
• Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot – but I don’t tend to go there that often.
• Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.

4. Focal Length?

One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. Of course zoomed in shots like the one to the left can be quite effective also. They enable you to really fill the frame with great color. Keep in mind however that cropping of your wider angle fireworks shots can always be done later to get a similar impact in your photography.

5. Aperture

A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.

6. Shutter Speed

Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).
You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.
Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.

7. ISO

Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.

8. Switch off your Flash

Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action (the flashing lights).Switch your flash off.

9. Shoot in Manual Mode

I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.

10. Experiment and Track Results

Throughout the fireworks display periodically check your results. I generally will take a few shots at the start and do a quick check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up OK (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.
Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.

More Tips

• “Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise they’ll come out REALLY hazy.”
• “Also, I find that if you shoot from a little further back and with a little more lens, you can set the lens to manual focus, focus it at infinity and not have to worry about it after that.”
• “Remember to take advantage of a zero processing costs and take as many pictures as possible (more than you’d normally think necessary). That way, you’ll up your chances of getting that “perfect” shot.”
• “Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot. The first explosions are usually the sharpest one.”
• “Get some black foam core and set your camera to bulb. Start the exposure when the fireworks start with the piece of foam core in front of the lens. Every time a burst happens move the foam core out of the way. You will get multiple firework bursts in one exposure”
• “Another tip I would add to this is pre-focus if possible (need to be able to manually focus or lock down focus for good) before the show starts so other elements in the frame are sharp They did mention that you only need to focus once but its a lot easier to take a few shots before the show starts and check them carefully rather than wait until the show has begun and you are fiddling with focus instead of watching fireworks!”

Tell us your fireworks display photography tips in comments below. Don’t forget to tell us which city you’re in and what the fireworks are like there!

Read more: http://digital-photography-school.com/how-to-photograph-fireworks#ixzz2b6i1MHm9

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